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New Drama for Astronauts?
Contemporary theatre has been trying to reduce the barrier between artists and audiences, particularly in the last couple of decades, but no
The Future of the Arts
We had seven group interviews with five candidates each, over seven hours. There were only two young men among the thirty-five. Obviously, w
Only the End of the World?!
Today, the 25th of May, was supposed to be the day that I and my producers would greet the technical team from the Vakhtangov Theatre, which
Liminality and dramaturgical thinking
While dramaturgy relates to discrete dramatic and theatrical phenomena, it also describes the infinitely expanding set of all things in whic
Liminality and screening kimchi
Some have seen the productions live. Some have seen both the theatrical version and the cinematic version. None of us has seen the cinematic
Liminality and musings on responsibilities and ethics
Do I normally spend a week reflecting on both my own practice and on the multitude of conceptual spaces that dramaturgy occupies? No. Do I n
Liminality – and self-performance deferred
“'Institutional dramaturgy consists of the practices through which an arts institution structures its patrons’ experiences in the servic
Liminality redux
Even when being invited into the rehearsal room, the mere entering of the collaborative space, which in itself exists as a multiplicity, bec
Liminality exacerbated
The dramaturg’s work is about finding patterns: noting patterns that are broken by other patterns, only to find that both of these patterns
Liminality: finding the edges
This liminal period provides both space and time to examine the cultural frameworks of my life that intersect, and thus shape, both me and m