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Remembering Tom Stoppard (3 July 1937- 29 November 2025)
Photo provided by La Repubblica In light of the recent news of Tom Stoppard’s passing at the age of eighty-eight, the Dramaturgs’ Network wishes to express our gratitude to the late playwright for his generous support over the years, share some words of remembrance with our membership, and offer condolences to his family and relatives. By now, the impressive range, breadth, and depth of Stoppard’s writing career have been extensively memorialised. Many moving and insightful
ldanderson88


Finding Each Other after an Earthquake: Reflections on the LMDA’s Dramaturging the Phoenix Project
Excerpt from LMDA Presents: Dramaturging the Phoenix – a Special Edition, presented at our d'n20 symposium in November 2021.
Lourdes Guzmán González


The d'n Co-founders' 20th Anniversary Speech
HANNA SLÄTTNE: Today we are celebrating the Dramaturgs’ Network’s 20th birthday! The fact that we are still here, is a miracle and a...
Katalin Trencsényi and Hanna Slättne


What shapes how we shape performance?
Dramaturg is a funny word. I had been working in theatre for a long time before I understood what it meant and I'd been doing this thing...
Gail Babb


Asian Dramaturgs Network: Expansions, Intersections and Hybridity in Dramaturgy
This panel presented how some Asian artists and dramaturgs are responding to new realities in their social, cultural & aesthetic communities
LIM How Ngean


International Dramaturgy Lab – Halfway Report
The Dramaturgs' Network is very proud to be one of the driving forces behind this unique international collaboration. The project was...
Hanna Slättne


The Dramaturgs' Network goes international
A new initiative from the Dramaturgs' Network,, The International Dramaturgy Lab, is in now open for applications and proposals. It will...
Hanna Slättne


Invisible Diaries: A Note from the Curator & Table of Contents
When the UK (following other countries) went into lockdown and our normal life came to a halt, we felt it would be important to document the
Katalin Trencsényi


Kaddish for theatre
This whole experience has been pretty biblical, to be honest. Maybe there’s a glimmer of similarity between the Invisible Diaries and the Bi
Tommo Fowler


The paradigm of the custodian
The paradigm shift that needs to happen is that between the model of the ‘exploiter’ of all natural and human resources to that of the ‘cust
Guy Cools